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One of the most unusual projects brought to IgroMir was the brainchild of the studio Experiment 101 — BioMutant. You could play it like on a stand THQ Nordic (where she also showed off Darksiders III), and at a closed screening for journalists, where I was invited literally an hour after the opening of the exhibition.

I’ll say right away that the game was not fully available. Representatives of the press were allowed to run around the level, which had already been shown at gamescom 2018. Therefore, in this text I will not retell what we saw (there is no need for this – the gameplay video is in the public domain), and I will try to convey the feeling of the game.

Both at the beginning of the demonstration and as the game progressed, the creators paid great attention to the variability of the world. The main character is a fickle creature: along the way he faces various difficulties and is forced to change his body and mind in order to adapt.

Literally at the very beginning I had to choose what the hero would look like and what he would be like in terms of characteristics. According to the developers, this is one of the key decisions in the entire adventure, because my survivability, psionic abilities and how much damage I will deal in melee and ranged combat directly depend on my characteristics.

I immediately had a question: will it https://slotonightscasino.uk/ be possible to swing incorrectly or somehow spoil your character?? They categorically answered me “no” and explained that as we play we will receive change points, through which we will be able to develop the desired characteristics or completely change our character, including with the help of all kinds of implants.

While exploring locations and understanding the combat system, I noticed that there are not very many types of enemies. For the most part, I had to beat all sorts of mutant marauders large and small, and only a couple of times I encountered really huge monsters, one of which was the “boss” of the location. And here one could find fault with the fact that the developers were too lazy to add more diverse opponents to the demo version. However, fighting them is not boring. Due to the fact that several enemies are constantly attacking the main character at once, you have to actively dodge and use the entire set of weapons.

I won’t talk about the effectiveness of this or that method of murder, because I myself tried to combine different. But I note that the battles are brisk, the character cunningly avoids the direction of enemy attacks, and he himself crushes the enemies with a flurry of attacks. In the process, the screen is filled with damage numbers and enemies flying in all directions.

Photos of randomly generated characters would be perfect for posters with public service announcements about the dangers of alcohol.

In addition to battles, the developers talked about the universe and history Biomutant. In the center of the world there grows a tree that gives life to everyone, but due to chaotic mutations of the fauna, creatures appear that damage the roots of this tree. If we want to save a dying world, we will have to get rid of the problem. Or you can abandon this goal and do other things.

In parallel with the global catastrophe, a split occurred in mutant society, and now two powerful tribes are fighting for power. The main character will have to choose one of the tribes – the one that wants to destroy competitors, or the one that advocates the unification of all species into one people. It is not yet possible to assess the potential of such a choice. The only character with whom I managed to communicate peacefully was the mechanic Gizmo: he helped the protagonist assemble a combat robot.

The main thing that the developers tried to focus on is freedom of choice and movement. Players will be free to travel between locations and biomes at any time. Moreover, depending on the situation in the world, the indicator of biological danger in locations will increase, due to which enemies become stronger and larger. Although nothing will prevent the player from avoiding collisions with opponents – in BioMutant allow you to crawl over rocks and ropes stretched between abysses, as well as use transport – large animals, balloons or even humanoid robots.

With the help of machines you can clear the territory from huge “boss” type monsters at the end of the location. Honestly, after having to run on my own two feet and personally dodge every blow, the gameplay in “mech” seemed many times simpler – it was like climbing into a tank, crushing small enemies at full speed. You can immediately feel the impenetrability of the robot and the power of the rocket salvos. Although this did not stop the “boss” from crashing the car and eating our hero (spoiler: we still won).

Overall, my impressions of the game were positive, but nothing more. It is clear that the authors are doing a small project (according to their own assurances, it will take 10-15 hours to complete), but there is still a lot of work ahead. Most likely, much of what was promised will not be shown to the general public soon. After all, it’s not without reason that the release BioMutant postponed until next summer.

Have you, dear readers, ever been to some remote European village?? Well, or at least in some local Gadyukino? Just imagine – you arrive so handsome with a haircut and a pedicure, in an expensive car, and the locals, sensing the “filthy city guys”, attack you with pitchforks. “It’s not funny, that’s how it happened”? Well, of course, such behavior is quite understandable from the point of view of psychology, at worst – from the position of the saying “with your own charter in someone else’s monastery…”. And so everywhere – even in Texas. Only in Japan, apparently, it’s different – because Shinji Mikami, the “dad” of the famous Resident Evil series, chose to explain the aggression towards the “urban” alien parasite in the best-selling game as of 2012 (more than 7 million copies) from the series about Leon Kennedy, Jill Valentine and the Redfield brothers. Resident Evil 4. A game that was disparaged by some and idolized by others. As a person who has completed the program on PC and PS2, I am inclined to settle somewhere in the middle of these polar opinions, and simply describe to you what I saw in this game – and what you will see if you decide to play. But first, let’s touch on the series’ history. The first game entitled Resident Evil was released twenty years ago, in 1996. True, the original name of the program was Biohazard, which was more consistent with its content, and only problems with the trademark in the most copyright-protected country – the USA – became the reason for holding a competition for a new title for the project. “Long-living Evil” won (and not “Resident Evil”, as our distributors of film adaptations managed to translate), which allowed the player to figure out the outcome of events in the ominous mansion for the surviving characters. Like, don’t worry, the villains are still alive and well, and you only put “sixes”. And yes – if you didn’t know, the game was conceived as a remake of one of the first Survival Horror games, the Sweet Home game authored by the same Capcom, released in 1989 only on the Famicom (that is, not further than Japan). Now, by the way, you can get rum and play without any restrictions, the program is really not bad.

No less interesting is the fact that initially the game was supposed to be a first-person shooter, and in general, the idea was good – just remember System Shock, where “scares” were organically combined with science fiction and action. But Mikami-san decided that in this genre the program would not be technically good enough, and it was decided to turn the rails of mechanics towards “Alone In The Dark”. Let the fans of the first parts of the series throw flasks with the T-virus at me, but for me it’s what worked in the adventures of Edward Carnby in relation to the special squad S.T.A.R.S looks, to put it mildly, strange. Well, okay, when a private detective, a drunken creature, all in debt, encounters zombies and mutants. It is clear that he screams in fear and runs. But when a special forces group, like SWAT or our riot police, behave like a crowd of women from the “Culture” channel – they squeak, scream, then their nails break, then there are no weapons, then there are no cartridges. Guys, where were you going, I’m embarrassed to ask?? The main thing is that one detachment has disappeared, it is clear that the matter is dirty – but no, everyone has one pistol, and the male main character is generally armed with a knife (at least the woman will be given a pistol at the beginning). The training of the fighters is also questionable when the fighting begins – the hand-assed “zezdyuks” cannot defeat a stupid, slow zombie in an open battle, but all you need to do is stick a knife into the head. I’m generally silent about how everyone stands in a crowd and watches their colleague being eaten by dogs. Apparently, the tradition of selling police officers’ crusts has penetrated into Raccoon City. I just want to shout to the heroes – “What are you doing, the bespectacled guy from Half Life is going to kill you all en masse?”!». Even if he wasn’t as cool as Valve made him out to be.

However, with all its shortcomings – https://orion-spins-casino.co.uk/ and I intend to include Spencer’s mansion among them, where a normal person with developed logic has nothing to do – the game turned out to be atmospheric and complex, and in some unimaginable way it made you afraid (yes, conceivable – there are simply always a lot of enemies, and always little ammunition). That’s why it sold for five million, and if with all the remakes and re-releases, then for all twelve. And Capcom never gave up on something that sold well – and two sequels were released on PSX (where the original was released), which became more dynamic, and most importantly – more convincing. In RE2, I can believe that Leon with matches and acorns confronts an entire city of zombies – after all, he is a newcomer, he just transferred. And in RE3 – I finally rehabilitate Jill Valentine for myself, she begins to behave like a fighter, walks around with a machine gun from the very beginning, it’s clear that she was preparing. But by the time RE3 was released, Capcom began to step on the heels of Silent Hill, where the entire environment was three-dimensional, against the rendered backdrops from RE. And the series began to rush from spin-offs to virtual shooting galleries, until in 2005 the real numbered part of the series saw the light – Resident Evil 4.

The cultists of Sony, who considered the series “theirs,” immediately cried out – the program was the first to make the owners of the Nintendo GameCube happy, and only then, almost a year later, the game made its way to the then fashionable PS2. “Computer geeks” generally turned out to be the most offended of all – firstly, the port for Windows came out already in 2007, and secondly, it turned out to be so flawed that even Devil May Cry 3 will seem like candy. And yet, for the first time I played the game on a PC, and only then found out how inferior the port is even to the PS2 version. This mainly concerns the picture – what is “retouched” on the PS2 by scanning the TV (namely, low-resolution in-game videos), on the monitor they look a little better than Mad Dog McRee on SegaCD. I agree that the PS2 was “unloaded” by replacing the swarms on the game’s “engine” (as was the case in the GameCube version) with pre-rendered video, but the GameCube was faster than the PS2 in terms of hardware, and PCs in 2007 (and what’s more, in 2005) were faster than both consoles combined. There is obvious work being done carelessly, meaninglessly and mercilessly. The second attribute of a picture on a PC is lighting and shadows that have disappeared into unknown lands. Well, as a sauce to this disgrace – absolutely disgusting management. You can safely cut off the mouse, you won’t need it here. And when you get to the QTE, pause and practice on the piano to heal 10 keys at once – because during such scenes the buttons for… dualshock! Aha! And guess where and what is meant. And people still criticize Ninja Blade.

Well, okay, let’s leave Capcom’s conscience to their policy towards PC owners (where the previous numbered parts were not ideal transfers), and take a closer look at the program. So, Leon Kennedy, one of the main characters of the second part of “Long-Playing Evil,” matured and became a special government agent for particularly sensitive cases. And now his case is much more delicate – somewhere in deep Europe, the daughter of the US President, Ashley, has disappeared. Arriving hot on his heels (very hot, considering that Ashley pees in boiling water for any reason) to a remote village, Leon immediately gets involved in local hospitality – and kills his first opponent, a crazy man who rushed at him. Do you think it’s a zombie?? But no! And Leon confirms this thesis to his cute colleague on the radio. Subsequently, it turns out that the inhabitants of the village were infected by a certain parasite, Las Plagas, and this parasite is, for a parasite, downright too smart – he even started making fun of the sect, “Los Illuminados”. Of course, Ashley fell into the hands of this sect, and Comrade Kennedy will have to go into the thick of it to complete the task. Along the way, Leon and Ashley become infected with a parasite (which was done by the head of the sect for the purpose of – what would you think? – world domination through infecting the US President, although it would have been easier to infect some Chinese, and more unnoticeably), and in all this mess the ominous “Umbrella” will emerge. In fact, the story told by the game is quite linear, and, of course, does not resemble a cult one. In general, there was some intrigue in the first part of the series, the fact that there was a laboratory under the mansion, where Raccoon’s troubles came from, was a surprise, and Wesker’s betrayal, along with the sharp turn from Rohmer’s “Night of the Living Dead” to science (okay, not quite science fiction) hit the mark, just as the first “Alien” hit the mark in its time. In the sequels, everything is predictable – you already know that Raccoon is full of zombies and mutants, and the whole story comes down to what next hypermonster you have to defeat. I don’t take into account the small details about the dirty deeds of the city’s residents – yes, they exist, and they enliven the plot, but, in my opinion, in the 2nd and 3rd parts the series made a giant leap from gloomy European cinema to Japanese trash. The fourth part tried to change the topic in order to again show something unusual, but the revelation of almost all the cards ahead of schedule significantly spoils the overall impression of the plot. And Umbrella, to be honest, is superfluous. It seems to me that the writers of the series need to take an example from Silent Hill – the games in this series do not try to continue each other, each time they tell a new story (with rare exceptions), which is why they are mostly successful. Take Leon and Umbrella out of the narrative in RE4 – but she would only benefit from it. Of course, the fans would seethe, but that’s what they’re fans for. How many times can you suck these conspiracies with viruses and endless mutants out of thin air?? Otherwise, it would make an excellent story in category “B” about a certain agent opposing a sect of parasite-possessed Ganados. Change the story radically along with a radical change in game mechanics.

Yes, friends. The game no longer pretends to be a “horror” game with wooden legs and arms, it has completely turned into a third-person action game. Heavy, not fully aware of himself in his new role, but a fighter. Leon moves around the game world so that the camera shows us the back of his courageous head. If necessary, he takes out a weapon, aims (not with one button and auto-aim, but for real) and shoots. Weapons and items are now measured in cells in the Plague Dune. If earlier you could carry a machine gun, a rocket launcher and a shotgun in your pocket at the same time, now you will have to carefully think through your weapons, otherwise you can get into a sticky situation. For example, when I reached the Regenerators, which can only be killed with a sniper rifle with a thermal imager, I was horrified to discover that I had thrown away the sniper rifle in the last chapter… But even in this case, the developers throw you a straw – a merchant has appeared in the game. Similar to the adept from Warcraft 3, this character will willingly buy jewelry from you that you find throughout the levels, and in return you can purchase ammo, weapons and first aid sprays. All this stuff will be useful to you, because now the enemies are not undead creatures crawling like snails, but very much alive village thugs. This adds dynamics to the process, and makes some players spit poisonous saliva. The QTE scenes that suddenly appeared in the series are generally regarded by armchair inquisitors as a reason to burn at the stake all copies of the game and Mikami personally. Actually, it’s not all that bad. The pace of life is changing, the worldview of the entire generation is changing – and what was entertaining in the 90s, namely – one zombie from a dozen polygons and two cartridges in a clip – will now make you want to turn it off and turn on something more fun. That’s why the first games about zombies were “scarecrows”, and modern ones are mostly a branch of a meat processing plant. And the fact that the game has become different is not a reason to call it bad. A year before the release of RE4, Doom followed its path, which did not stop it from having impressive sales and remaining in the memory of players all over the world. And the fact that the “four” broke sales records within the series does not mean that this is a “game for rednecks”, it is just a sign of quality.

Although… not ideal. The fun of the game is interrupted when you start cooperating with Ashley. This hysterical girl, always screaming for any reason, constantly gets into trouble, doesn’t know how to use stairs without outside help, and in general – how old is she?? It seems like she was kidnapped straight from a nursery for children with mental retardation. And THIS will also offer Leon to meet sometime at the end of the game. Comrade Kennedy, of course, will politely answer “maybe”, but in reality he will think “Yes, I saw you in a coffin!». One good thing is that you won’t have to pine away from Ashley’s company for long, although one day they’ll let you play as her, which will turn the gameplay almost into “stealth”. The find is, without a doubt, successful, and redeems the nerve cells previously taken away by Ashley’s squeals. As for the technical performance, it is simply excellent for 2005 (the PC sniffles sadly). This is especially true for the Game Cube version, where, in addition to the stunning play of light and shadows, there was shader water. The character models are high-poly, convincing, even the hair moves. The monster builder is made “excellently”, and I just want to tell Carmack, my comrades, that happiness does not lie in bump mapping and spot lighting of monster pimples, but in a competent approach to model design. In a word, we have before us a real Resident Evil of the 128-bit generation, and not an attempt to re-release and re-release old content with cosmetic improvements. The sound and music by Misao Senbongi and Shusaku Ushiyama perfectly convey the atmosphere of an ominous corner of Europe where the destruction of the world may be hiding. Hats off.

Well, spring is just around the corner, but we can’t count all the chickens. There’s nothing wrong with RE4 turning to the action side. The horror genre in 2005 was not in the right shape to bet on horror. In this form, “Long-Playing Evil” looks quite presentable, and for me, crazy stories about super mutants, viruses and conspiracies are still more action than “scares”. And I fully respect the next episode of “Resident”, where it’s already an action movie. I wish the same for you – because the game is good not when it’s canon, but when it’s interesting to play. 9 points

Vrai nom: Joie (La joie, la joie).
Surnoms célèbres: Chef (Le patron), Gouverneur (Voyevoda), La mère des forces spéciales (Mère de la force spéciale).
Né: 1922, États-Unis.
Décédé: 2 septembre 1964, URSS, Sibérie.
Hauteur: 178 cm.
Poids: 63 kg.
Relations: Snape neiced (Serpent nu) – Étudiant, Sorsroou (Le chagrin) – Lover, Adamsk (Adamska) – fils.

Nom du code de boss d’une femme-mentor Serpent à nette, qui est devenu pour lui pour tout le monde. C’est la personne qui est devenue le fondateur Squad "Cobra" et l’un des créateurs de la technologie de combat à main-hand sous le nom Cqc. Une femme-patriote qui a trahis son propre pays. Mais est-ce ainsi.

Au début. Seconde Guerre mondiale.

Joy est né en 1922 dans une famille prospère. Son père était membre de l’organisation existante de «philosophes» alors existante et était membre du comité des penseurs, qui contrôlait les États-Unis et le monde entier de l’ombre. Joy a grandi sous un soin partiel de cette organisation, et son père a dit aux secrets des «philosophes» qui avaient grandi avec la fille, même les plus secrètes, qui n’auraient en aucun cas dû être divulguée. Le comité des penseurs, ayant appris à ce sujet, élimine le parent de la jeune fille et l’envoie aux instructeurs à l’une de ses écoles militaires.

Dans les années 30, Joy Masters maîtrise rapidement les techniques de combat au corps à corps, tirant des armes et pénètrent imperceptiblement le territoire de l’ennemi ou frotté en confiance dans certaines personnes.

En 1941, au plus fort de la Seconde Guerre mondiale, la joie a été intenue de façon inattendue en Angleterre en tant que conseiller militaire qui était censé augmenter l’efficacité du combat des combattants de l’unité spéciale. Elle devient le créateur du 22e régiment SAS, ainsi que le détachement L. C’est la joie qui est l’auteur d’une attaque fictive contre la ville d’Héliopolis et le bombardement de la base aérienne allemande en Afrique du Nord, ainsi qu’un participant à de nombreuses opérations spéciales, où il était nécessaire de saisir des personnes importantes en vie afin qu’elles fournissent le commandement allié de précieuses informations précieuses.

En 1942, Joy crée son propre détachement de combat appelé "Cobra", qui comprend Payne (La douleur), Fin (La fin), Fureur (La fureur), Fia (La peur), Joy et Sorsroou (Le chagrin). Avec ce dernier, la fille a des relations amoureuses et la fin enseigne à une fille de tir de tireurs d’élite.

En 1943, Joy a reçu l’ordre de pénétrer dans Los -Alamos et Kill John von Neumann, qui était considéré comme un espion nazi. De plus, sa mort était censée ressembler à un pur accident. Pendant la mission, elle comprend qu’elle est enceinte de Sorsho. Il l’a révélé plus tard, et elle est blessée à la tête. Par la suite, après la mission, il se fait sentir, et la joie se jette dans le coma pendant plusieurs mois, mais l’enfant survit. Déjà après le rétablissement, elle se sent coupable de l’échec de la mission, même si les informations sur l’entité nazie de von Neumann ne faisaient que la désinformation de l’URSS pour perturber le projet de Manhattan, dont le but était de créer une bombe atomique.

En 1944, la joie enceinte est allée en Normandie avec le détachement de Cobra avec la tâche de détruire les missiles FAU-2 situés sur le rivage à Juno Point. Cependant, les combattants y détectent et la fille est blessée dans son estomac, elle commence à se battre en plein milieu des opérations militaires. Alors que les membres du détachement ont couvert la fille, il a été décidé de faire d’elle une césarienne. Elle a eu un enfant merveilleux. Garçon. Mais les «philosophes» ont enlevé son enfant à l’utiliser pour leurs propres fins, et la fille elle-même a commencé à se montrer du côté droit du corps, similaire à un serpent. Après le détachement de Cobra, il a été dissous par lui, et Joy s’est renommée au patron.

1950. Boss Sevencasinofr.org et Jack.

Après la dissolution de Cobra, le patron a commencé à travailler pour le gouvernement américain et a participé à plusieurs grands projets, tels que des essais nucléaires dans le désert du Nevada, ce qui a rendu les actions stériles, et Sabotage partage en Extrême-Orient.

À la fin de 1951, le patron se réunit Jack, Dont le sort lui était similaire et l’emmène chez ses disciples. Pendant dix ans, le gars a étudié avec elle, ayant maîtrisé un grand nombre d’arts martiaux, tirant à toutes sortes de distances et de méthodes d’impact psychologique sur l’ennemi. En outre, le boss en collaboration avec Jack crée le système de combat CQC (Combat à près des quarts). Le patron est devenu pour Jack pour tout le monde, et elle en était bien conscient. En 1957, elle entre dans une école pour les parachutistes et crée la technique des descentes de parachute à grande vitesse ultra-élevée.

En 1959, le patron quitte Jack et se rend en URSS par ordre du président Eisenhower afin de saboter ou d’arrêter complètement le programme spatial russe, ainsi que de voler des informations précieuses concernant les missiles spatiaux. Cependant, malgré le fait que son soutien était censé fournir la CIA, ce dernier a refusé de le faire, et le patron a été contraint d’utiliser les systèmes d’espionnage des «philosophes» pour réaliser la mission. Elle parvient à trouver des dessins par satellite, mais elle trouve une divergence avec les rapports que l’une des espions embauchés lui a fourni. Elle comprend que la CIA l’a consommée. Mais, malgré tout cela, elle trouve bientôt de vrais dessins et leur envoie la NASA. La CIA lui accuse de qui voulait retrouver son ancienne gloire, et aussi en échec à remplir la partie principale de la mission. En fait, le département central du renseignement ne voulait couvrir que ses propres échecs liés à l’opération en URSS.

Plus tard, le patron a été sélectionné pour participer au projet secret "Mercury", dont le but était de clarifier ce que la charge peut résister au corps humain, qui serait constamment sous rayonnement. À cette époque, elle a rencontré le Dr Strayelov, qui a commencé à ressentir des sentiments très forts pour elle. C’était le patron qui est devenu la première personne qui a visité l’espace, bien qu’informatique. Lorsque le patron a vu la Terre pour la première fois, l’idée est apparue dans sa tête pour unir le monde entier sous une seule direction. Dans ce cas, le monde renoncerait aux grandes guerres, où les combattants sont consommables.

L’atterrissage de la capsule avec le patron a échoué: elle a reçu de graves brûlures et est tombée dans un coma qui a duré six mois. Le gouvernement a caché l’existence du projet Mercury.

1960-1962. Meurtre. Mise en œuvre.

Après cet incident, le patron a été envoyé en mission en Sibérie pour tuer Sorsroe. Le stimulus pour effectuer cette mission était la menace: si le chagrin reste vivant, alors le fils sera tué. S’étant rencontré au pont près de Tselinoyarsk, le patron et son ancien amant ont commencé à discuter de la situation, et à la fin ils ont décidé de ne pas se battre. Sorsrou lui-même lui a demandé de lui tirer dessus dans les yeux, ce qu’elle faisait à contrecœur. Après cela, elle ensemble avec Major Zero organise les Fox Special Forces, que Jack, son ancien élève entre bientôt.

1964. La dernière mission.

Déjà en 1964, la CIA s’est rendu compte que le patron est devenu une véritable menace et a donc décidé de le détruire.

Pour ce faire, elle était censée participer à une opération, dont le but était de trouver t.n. "Héritage des philosophes", qui était censé être en URSS. Cette opération était également dans le cadre Mission "vertu", mais était parallèle et secret, et Il a commencé en juillet 1964 – un mois avant la conduite officielle.

La seule occasion de découvrir où se trouve le "patrimoine" était l’introduction du colonel Volgin dans l’environnement personnel, qui, à en juger par les données, et l’a gardé en lui-même. Pour entrer en confiance dans le colonel, elle a découvert où elle était Nikolai Stepanovich Sokolov, ainsi que les armes qu’il peut construire.
Un mois plus tard, le patron a réussi à entrer dans l’environnement personnel de Volgin. Lorsque la mission «Virtu» a officiellement commencé, elle a aidé à serpent à la radio et lui a menti sur son emplacement. Mais, après que Snake a réussi à sauver Sokolov de la captivité, elle a coupé le lien avec lui et, prenant deux ogives nucléaires et l’unité de lancement avec elle, afin que tous les soupçons soient complètement soutenus et gagnent la pleine confiance du colonel Volgin. Devant le colonel fou, elle se brise la main, prend Sokolov, mais perd le bandana, que son élève casse d’elle. Volgin, à bord de l’hélicoptère, lance l’une des ogives nucléaires de boss, qui détruit OKB-754. Cet incident a complètement changé l’image de ce qui se passait: l’URSS a accusé les États-Unis d’une attaque nucléaire, et maintenant il fallait non seulement découvrir «l’héritage des philosophes», mais aussi Prouver la non-non-sens de l’Amérique dans une attaque nucléaire. Aux yeux de Snake, elle est devenue un traître, qui a joué dans sa main et, à la fin, elle a permis à Neecd de se suicider pour restaurer le nom des États-Unis et commencer le processus du «dégel» entre les deux pays.
Elle a très subtilement aidé Neived et Eve, essayant d’empêcher une catastrophe nucléaire. Elle a presque perdu sa couverture, on lui a proposé de tirer les yeux de son élève avec un couteau. Heureusement, Volgin a commencé à s’occuper de Tatyana (Eve sous la couverture), mais en même temps, l’Ocelot a commencé à surveiller le boss beaucoup plus attentivement.

La dernière bataille entre Jack et le boss s’est produite près du lac, dans une prairie pleine de fleurs blanches. Le patron raconte à Snake sa vie, qu’elle avait un fils qui a été enlevé par des «philosophes», de ses idéaux, de la participation imaginaire aux événements à Cuba, cachant le fait de la participation au projet Mercury, ainsi qu’elle a pu reconnaître facilement Eve, travaillant sous la couverture.

Snape entre dans une bataille féroce avec son mentor. Les deux adversaires sont égaux en compétence, à la fois durcies avec les guerres et les batailles, tous deux ont beaucoup vécu. Mais le vainqueur sort. Le patron lui donne un microfilm contenant les coordonnées du "héritage des philosophes" et lui demande de se suicider. Que le serpent fait, remplissant sa mission. L’esprit du patron est réunis avec l’esprit de Sorsroe et tous deux disparaissent.

Plus tard, après avoir appris la vérité concernant les motifs du patron et sa participation à l’opération «Zmei Eater», Snake trouve une tombe sans nom où son mentor est enterré. Il met un bouquet et son arme personnelle «patriote» sur la tombe, et donne l’honneur, disant une seule larme ..

. Les générations futures la réviseront … en Amérique, en tant que traître méprisable sans aucun sens de l’honneur … et en Russie, en tant que monstre qui a déclenché une catastrophe nucléaire … elle descendra dans l’histoire officielle en tant que criminel de guerre. Et personne ne la comprendra jamais … c’était … était sa sa mission finale.

Snake … L’histoire ne saura jamais ce qu’elle a fait. Personne n’apprendra jamais la vérité. Son histoire … son débriefing … ne perdurera que dans votre cœur. Tout ce qu’elle a fait, elle vide pour son pays. Elle a sacrifié sa vie et son honneur pour sa terre natale. Elle était un vrai héros. Elle était une patriote.

(Il y avait un joueur de flash, mais depuis 2020, Flash n’a pas été pris en charge par les navigateurs)

In 2012 the studio CS1 Team and personally Toshihiro Nagoshi, known primarily as the creators of the series Yakuza, decided to perform in the third-person shooter genre, which was unusual for them, and that’s how it appeared Binary Domain.

The plot tells us about a world where, at the beginning of the 21st century, global warming caused flooding throughout the world, as a result of which most of the world’s cities became uninhabitable, thereby forcing governments to create new cities above the waterline. Millions of people died as a result of the flood. Robots were used as the main workforce to create new cities. The American company Bergen began to dominate their production, thereby making the United States the only superpower. The plot of Binary Domain begins with an assassination attempt on the head of "Bergen", which is carried out by a robot who considers himself a human. These robots are called Hollow Children.

The Hollow Children incident seriously scares the US government. Firstly, because according to the new Geneva Convention, adopted in 2040, the creation of robots that can recognize themselves as humans is prohibited, and secondly, this means that Bergen’s leadership in the robotics industry is under threat. The only company capable of creating such machines is the Japanese corporation Amada. To resolve the current situation, a special detachment “Rusty Brigade” is sent to Japan, which was created to fight violators of the convention. We have to play just for one of the fighters of this squad – Dan Marshall.

Plot Binary Domain is not some kind of revelation. This is a fairly simple story about artificial intelligence and robots that feel alive. But the game confirms a rather important thesis that even simple stories, told well, can surprise. The game has a couple of plot twists up its sleeve, and well-choreographed cut-scenes will prevent the action from slipping into gloom.

But the main advantage of the local plot is still the characters. The main character got very diverse and charismatic personalities as companions. For example, MI6 veteran, pedantic British and formal mission leader Charles Gregory. Charles often reminds Dan Marshall that he is in charge here and is very concerned about the financial well-being of the British crown.

Roy Boteng or "Big Bo". A good-natured black thug who considers the main character his fighting brother and does not forget to remind him of this.

And in the process of passing the team will be replenished by no less colorful personalities.

Each character has their own loyalty level.

You can increase it for active and useful actions in battle and for correct answers in dialogue episodes. Let me explain, your teammates will actively comment on your successes in battle. They may admire your marksmanship, yell at you for accidentally shooting at them or for failing to execute some tactical maneuver.

Sometimes in moments of silence, some characters may stop and start a dialogue with the main character, commenting on the current situation. Depending on our answers, we can increase or decrease the level of loyalty.

At the beginning of each chapter, we are free to choose two companions for ourselves (except for the last chapters, where the companion is fixed). Depending on the choice, the dialogues will change. Sometimes characters will not even pay attention to the main character, communicating exclusively with each other. And thanks to such skirmishes, the characters feel more alive and that very chemistry between the characters appears. But something like Mass effect 2 It’s not worth the wait, it’s still not an RPG. The loyalty of this or that character will not affect the story in any way, but only the likelihood of whether he will want to help the main character in a difficult situation.

Each member of the "Rusty Brigade" has his own specialization. For example, "Big Bo" is clearly a tank, armed with a light machine gun and capable of absorbing a lot of damage. Chinese operative Fei Li prefers long-range combat with a sniper rifle. The equipment of all partners and the main character can be improved at special terminals, for the currency that we receive for destroying robots.

The order system also adds tactical depth https://agentspinscasino.co.uk/ to the gameplay. For example, we can order a partner to hold a position or, conversely, go on the offensive.

And since we started talking about gameplay, it’s worth discussing local enemies. Throughout the game we will be confronted by various types of robots from the Amadé corporation. There is, like ordinary cannon fodder, which will try to take us in numbers, and robots that prefer long-range combat. There are machines that will specifically force us to engage in hand-to-hand combat, there are little kamikaze freaks, flying robots, slow robots, fast ones, etc.d. In general, there are many opponents.

Bosses don’t lag behind ordinary opponents either. Usually these are giant machines, the methods of destruction of which are always different. One boss is a giant spider whose limbs need to be shot off. The other is a huge airship that needs to destroy all its engines. And every boss battle is, first of all, an epic scene.

If we take the entire combat system as a whole, then the closest analogue and object of inspiration is the Gears Of War series. We have a system of covers and rolls at our disposal, but the game is still capable of challenging. Opponents shoot accurately and painfully and do not allow you to sit behind cover for a long time.

Various game situations. During the passage we will ride a jet ski, shoot from a moving car, and control a giant howitzer.

***
The question of why even the most beautiful game projects fail and die in obscurity is very complex. Sometimes an unsuccessful advertising campaign is to blame for everything, which can greatly harm even the most famous series. The last example of this Tomb Raider, which, due to its not the most successful advertising campaign, was sold at a discount a month after release, and yet Lara Croft is one of the most famous game characters!

Sometimes failure befalls an entire genre. Two of the most important projects for the genre Immersive sim, PREY And Dishonored 2, failed in sales.

Sometimes problems are caused by dishonest players who simply pirated well-known titles, what happened with Wolfenstein 2 And Evil Within 2. And there are many such factors and it is very difficult to say why this or that game failed. And I personally feel especially sad for Binary Domain. A game that looks great, plays interestingly, has an interesting plot and colorful characters, fails and goes into oblivion. And it’s very sad, especially since the local story makes a clear hint at a sequel that we will most likely never see. The only negative that I can highlight is the crooked animation, but this is a disease of most Japanese projects.

If you missed it in your time Binary Domain, then I highly recommend checking it out. This is a great solo adventure.

Binary Domain

Best comments

Well look, the first Mass Effect, for example. Shooting, to be honest, is so-so, plus a fairly large number of bugs associated with it (Overheating is done crookedly). And the locations other than the Citadel and a couple of main planets are not particularly surprising and sometimes annoying. But that doesn’t stop it from being a great game. I still replay it and really enjoy it. Games, of course, can be so rigidly divided into components, but in fact the experience of the game is… all together. Sometimes, a crooked combat system doesn’t matter so much anymore. I think it’s the same story with Binary Domain. You want to come back and play it, you enjoy it despite everything.

I liked it as a shooter game. True, the big enemies were more annoying. But ordinary opponents were more impressive. I remember during a shootout with the red arrows I knocked one down, but instead of flying away, this bastard crawled up and exploded right under my feet.
The game doesn’t have the best controls. especially when you need to use special devices

I remember this. but from an unpumped rifle you’ll hit a horseradish in the head, the spread of this thing at the first levels was simply terrible. I had to take a captured machine gun or use a pistol at long range.

The game is great.
If you forget about the unrevealed plot/lore, clumsy controls, etc.n., it’s generally magnificent, one might say with soul.
The only thing the pirates are to blame for is that the game became at least somewhat famous.

You have to shoot in the head, then they start shooting at their own people.
What’s most interesting is that accuracy and power do not decrease.
Without shooting heads at maximum speed, you won’t beat the game, and you’re unlikely to get a good ending.

The first Mass Effect had an Action/RPG prefix, which no longer made it rpgThe first Mass Effect had an Action/RPG prefix, which no longer made it rpg

Depending on what was shot, the enemy’s behavior and the player’s tactics change.>And just shooting is just shooting. There are plenty of games like this where there aren’t even headshots. “Just pew-pew” doesn’t work here, that’s not what the game is about.
The locations are different, colorful, and don’t get boring. Everything is correct, a matter of taste, to each his own.

The first Mass Effect had an Action/RPG prefix, which no longer made it an RPG, unlike
Dragon Age Origins. Well, I don’t remember any interesting side quests, except perhaps for the fight on the moon, but I didn’t learn anything intelligible from the game itself. And whoever said that the RPG part of the first mass effect is mediocre and lost. IMHO no one is interested in exploring an empty world on a MAC, which is plenty in the story.
But I forgot the tactical component as soon as I met a heavily armored Ghett at the beginning of the game, on the bridge corridor. Well, I personally didn’t feel my teammates, or rather their contribution to the battle, except perhaps for abilities whose effectiveness +- was proven in battle, but when they recharge for half a minute, by the end of the battle.
Unlike Binary Domain, where the partners, although they did not have extraordinary abilities, but: A. When at the end of the battle the last robot scatters in front of you at point-blank range when you were already swinging, you get the feeling that your partners are useful.
B. Conversations outside of cutscenes, between fights, made the characters more alive.
IN. Well, the most banal thing is that when you shot off the head, you were given glasses, and then when you shot in the torso, you were given more glasses. On the contrary, this scheme does not work; also, when a robot was destroyed by a robot without a head, points were also given.(I read somewhere that the developers did this on purpose to make it more cinematic, but this is not certain).

There are no markers for taste and color. It’s a Japanese game, some people like it, some don’t.
The whole process is tied not so much to shooting, but to shooting off the limbs of opponents. Depending on what was shot, the enemy’s behavior and the player’s tactics change.
What kind of voices there are, the usual partners don’t understand, they always make their faces and to hell with them, but then they get offended, and loyalty drops because of this.

Did I point out that I don’t like it because the game is Japanese?? Yes, everything is subjective, but there are quite objective facts that allow us to deduce possible reasons. Shooting (in terms of weapon feel, sounds, ballistics and dynamics) is not the most interesting. Shooting is a nice feature, but bots do not die quickly and because of this, this feature can be annoying, since the time to kill one bot with an automatic weapon is significantly longer than usual. But there are more and more of them. It’s also quite obvious with locations. One can hardly call at least a third of them interesting.

Shooting and shooting are actually the same thing. The second is a clarification of the first.

It has a couple of important variables:
1 – this is an RPG, and therefore the study of locations, side effects and open maps for study. a priori they cannot be hellishly colorful and they are given a discount
2 – although his shooting is not very good (even stupidly bad), BUT his tactical component works great.

See? There is at least some justification in both of these claims, and shooting at limbs… well… let’s be honest, it changes tactics to a WHO-COULD-THOUGHT level! YOU HAVE TO SHOOT IN THE HEAD!». Of course this is a plus, but the essence of my complaint here is that it takes a long time to kill one unit. Like in a horror project like Grandfather Space or Resident Evel (let there be 4). With Massa, everything here is tied by level and this is an RPG, so you can come to terms with this and this can be avoided by simply leveling up and buying new weapons. And this seems natural, because RPG.

In my opinion, as a person who did not particularly appreciate the project, there are 2 reasons, quite obvious:
1 – gameplay… none. It plays nicely, but does not give pleasure from the process. The shooting, the character control, the dynamics of events are generally normal, but it’s as if they’re not trying to jump over their heads. And for the genre, it’s either this or take it for everyone else (Ancharteds nod their heads wisely, hiding in their bosom the fact of good dynamics in a number of parts)
2 – Locations… none. Same song. They are NOT beautiful, NOT interesting, NOT complex, and considering the claim above, they are stupidly unmemorable. But the game is not short. In this case, it’s very easy to get tired.

The plot of the game is good, the surroundings are also good, but it is the game format of all this that does not take away what works well in it. Bioshock, for example, was also similar in terms of gameplay, but at the same time in an excellent setting. It’s already starting to click here. I don’t know a single person who would praise the game for anything other than the plot. God forbid they remember the presence of voice commands, which even with pure English and a good microphone works through F

Mass effect 3 – disappointed many. At the moment, on the World Wide Web, people are excitedly having discussions, throwing out the bile of discontent towards the developers. I am sure that you, if you are a fan, have also participated or will participate in a battle, not with the Reapers, but with a much more powerful force – with an angry crowd of disappointed fans. Well, even I participated, since I am a real fan of all the games in the series, but I “fell in battle”.

Basically, the dissatisfaction of fans is caused by the endings presented to us in the game, which cause trembling in the knees from excessive epicness, a stingy drop of a man’s tear from the drama, and blinding rage from a myriad of questions spinning like a tornado in the head after the final video. No, don’t worry, all the questions that have arisen during the past tens of hours spent in the game will be answered, and even if the characters do not reveal all the secrets of the past during dialogues, then here, as in previous games in the series, there is still a “Code” – an in-game encyclopedia on the game universe. In it, by the way, you can find out about the fate of former team members.

I liked the endings, and trying to prove to the distraught fans that the ending was great, I was overwhelmed by the number of arguments, often not supported by real facts. In short, moving away from the theme of the ending, I can say that as a conclusion to this particular trilogy, the ending is wonderful, and will allow Bioware in the future to refresh the universe with new, interesting details. I will try not to talk more about the endings, since the desire to spoil spoilers is very strong, if you want, you can find out about the endings in the world of Russian-language Wikipedia. About endings, I wrote (at the time of Tuesday, the 12th, two thousand and twelve, 18:48, there was still information written by me).

I also want to say that the feeling, the feeling of deja vu, as if you are still playing Mass Effect 2, only much improved and with a more pleasant color scheme, this is normal, if you have it, or will have it, know that you are not alone. Quite a lot of things have been changed in the game compared to the second part. But the notes familiar to us from ME2 still appear, and they evoke such a feeling of deja vu.

They reworked the elements of leveling up the hero, and, which is very pleasing, they returned the weapon attachments, and with a very plentiful arsenal, this is very useful. Now Shepard of any class can carry all types of weapons.

In vain. There were some fines for such pleasure. Now, each weapon has weight, and the buns for the guns also add weight to them. In total, all types of weapons taken with you incur a penalty of -200% to the cooldown time of skills. So it would be very logical to take only a rifle and a pistol with you.
If you take only a very light pistol, the penalty can be… well, it can’t be anything – +200 to the reload time of all skills. No more, no less. The same rule works in multiplayer.

Each gun, as in the first part, has five levels. The higher the level of this particular type of weapon, the less the weapon’s weight, magazine capacity, etc.d. It all depends on the gun itself, and of course the bonus of the new weapon level is different for each weapon. Heavy weapons have been removed from the weapon types and replaced with grenades, but not every class has grenades. And heavy weapons are given with a small supply of shells, and only when there is someone nearby, to kill whom it may take half of your nerve cells in the brain.

The fact is that these all kinds of creatures can take out the entire team in a matter of seconds. So, if you play on normal difficulty, in the first nine hours of the game the most terrible enemy is the Cerberus robot ATLAS. When you first meet, you will most likely be level 36-42, and this creature will inexorably bombard you with missiles. But if you take a sniper rifle, hide in shelters and do not forget to properly hide and use your partners, then by shooting into the cockpit you can break the glass, kill the pilot and control the robot yourself. But at the very first meeting, this is not so easy to do. In addition to the robot itself, a number of ordinary warriors, such as stormtroopers, also appear on the battlefield, so you’ll have to work hard. The desire to seize control of this colossus is undoubtedly very great, but after the third reboot, the desire to simply smash this piece of iron into small pieces becomes no less great, and maybe even greater.

How many times has ATLAS appeared https://bronze-casino.co.uk/ in trailers as a huge killer and other terrifying blah blah about his death-killing nature? In the second half of the game, when all priorities are set and the most epic and intense passions begin, the great and terrible Banshee appears, who serves the Reapers. These are the ones you really need to be afraid of. Every time I see Banshee, I get goosebumps. Moreover, their appearance is also well-arranged by the plot.

Unfortunately, there are only three enemy factions in the game. These are the Reapers themselves, the geth and Cerberus. We will no longer meet the warriors of the Bloody Pack, nor the asari commandos from the Eclipse group, nor the Blue Lights. We will only meet the leaders of these groups, and they will be useful to us in the plot, but we will not be allowed to fight shoulder to shoulder with them or fight with their troops.

Speaking of opponents, one cannot fail to mention the highly improved artificial intelligence. Now the enemies are acting tactfully. Some place turrets in the right places, others, with shields in hand, push right through and hit hard, while putting a burst between the eyes.

And thanks to this, fighting became really interesting. Enemies are no longer mindless idiots running with a pistol, without armor, right at you when you stand with a rifle that has 9000 damage.

When a geth coming at me was shot in the back by another geth of the same class, the reaction of the injured geth simply surprised me incredibly. He turned around and began a shootout with the geth, who put a bullet in him. This behavior of AI was only in two games that I know of, Doom 3 and F.E.A.R., in which enemies could collide with each other. Honestly, I didn’t believe it was part of AI. I thought it was some kind of bug, but when it happened again the second and then the third time, I had a blissful smile on my face, I thought: “This is the game of my dreams.”!».

We also added stylish rolls and jumping over obstacles that added a bit of dynamism. Now, in order to jump over while running, and more, you don’t need to wait until the captain sticks to the object and then jump over it. No, now all this happens at lightning speed, with a quick binary press of “Space”. In general, a lot of things depend on the space. So, by pressing the spacebar when you need to sprint forward to cover, Shepard with a smart face can stick to the nearest wall, and at this time the enemies will gladly start shelling with all their guns. Or when you urgently need to activate some system, the captain will simply stick to the nearest wall or table, or chair, or something else. So, it turns out that several actions are tied to the space: take cover, activate/interact, and run.

The plot is classic for recent games from Bioware. Gather a grandiose super-team, or army, and kick all the offenders in the butt.
Here you’ll just have to gather an army, like in the first Dragon Age. But gathering an army is much more interesting here than in the Age of the Dragon. We will have to resolve all conflicts between all races, which will cause us a lot of trouble, and one day we will even have to personally meet the Reaper and defeat him.

In general, the whole war is with the Reapers, who attack the Earth at the very beginning of the game. Mother, just one big excuse to show us how it all ends for everyone, everyone, everyone. And during the collection of this very army, we will meet all the characters from past games. But if you start playing ME3 without importing the saves of the previous game, then all characters who could die in previous games will be dead by default. All the promises of the developers that the game will have a comic like “Previously in Mass Effect”, in which we will be allowed to decide on important decisions of previous games, and thus restore the save, if we say it was lost, turned out to be untrue. Perhaps Bioware wants to sell us this with some kind of DLC, because we know their habit. After all, even on the day the game was released, the first downloadable add-on “From Ashes” went on sale, which seriously angered fans who bought the regular edition of the game. The DLC was free for those who purchased the Collector’s Edition.

The addition gives us a couple of new guns, one new mission and a new team member, a representative of the P race… I won’t say what race, a very unknown race, he is precisely its last representative.

The atmosphere of the game changes throughout the entire 24 hours of playthrough, by the end it becomes gray and viscous. There is a war going on everywhere, with the Reapers – machines that destroy all developed organic life in the galaxy, once every 50,000 years, leaving only the races that have not made it into space; it is practically impossible to find a cozy, safe place anywhere. For the first half of the game, the Citadel is the only quiet, calm place. But the Reapers are inexorably seizing more and more territories and they will not stop until they achieve their goal. And gradually, even the Citadel will no longer be light and shining. There will be nowhere else where you can hide from grief and troubles. The halls and hospital of the Citadel will fill with refugees and wounded as you progress. The galaxy has only hope in Shepard, he is the only thing that can connect all races with each other.

But despite the gloomy prospects of in-game reality, the game has become somewhat sexier than previous games.

The game now has same-sex relationships. But Shepard’s sex with a man is your personal whim. No one will force you to do this, like in Dragon Age 2. It’s just an aspect of the game. In the game, there are two partners for such sexual relationships, one of them can definitely be a partner for both sexes. So no need to worry.
And of course there are also ordinary relationships, where a man and a woman.

We can’t help but say something about the game’s musical accompaniment. The dismissal of Jack Wall alarmed me somewhat, but as it turned out, it led to what we have. And we have an amazing soundtrack. I don’t think Jack Wall could write music like this. New main composer Sam Hulick, who previously worked on the soundtracks of the first two parts. Such famous personalities as Sasha Dikishan, Chris Velasco and Christopher Lennertz were also involved in the work. All of these composers also worked on past games and additions to the series.
Hollywood composer Clint Mansell is a newcomer to the series.

(There was a Flash player, but since 2020 Flash is not supported by browsers)

Also, a cooperative mode was introduced into the game. No, we won’t be allowed to go through the main story with friends. The co-op has several maps in different parts of the galaxy, and there is only one game mode: “Repel waves of opponents to save the galaxy!». There are as many of these same opponents as in a single company: Reapers, Cerberus agents, and geth.

Playing multiplayer is important for a solo company. By playing co-op, you increase the readiness level of the galaxy. I don’t know what this affects. The ending is influenced only by the power of the army assembled in a single-player game, and how this is attached to a single-player campaign is unknown.

In conclusion, I can say that the game came out very good. The game has quite a lot of epicness, drama, and sexuality. The plot is interesting and you shouldn’t rush to see the end credits, there are a lot of interesting details in the game. For complete immersion, sometimes it’s worth reading the Codex and completing various side quests. However, immersion, unfortunately, is hampered by the lack of Russian voice acting; only the text is Russified.

The game is definitely worth spending some hours of your life on. And I’m very sorry if you haven’t joined all the fans yet, because those people who have been with the series from the very beginning have seen its evolution, how the series has matured. And only these people can feel the full depth of the series, these people have replayed each part dozens of times, waiting for the continuation, having learned all the secrets, loving the characters. Mass Effect 3 – Our Generation’s Star Wars. This series will remain in our memory until the end of our days, and we will remember this game, talking about our youth and our hobbies to our children and grandchildren.
I hope that the series will continue its development in the future and this development will adequately expand the boundaries of the game universe, and will not drive all the bright memories of the first trilogy into the box of forgotten memories.